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“To be honest, I really had no idea what to expect from this flick but since it was directed by Kevin Reynolds, I thought I might as well check it out. Well, I think that the concept of focusing on a Roman officer during the few days after the crucifixion was actually really interesting. Indeed, this” read more
“To be honest, I wasn’t expecting much from the damned thing but since it was available on Netflix, I thought I might as well check it out. Well, even if it wasn’t really awful, the damned thing was not really good either, that’s for sure. I mean, sure, I have to admit that it looked nice enoug” read more
“I have to admit that I haven't heard anything about this movie before watching it and I had really no clue what to expect. Well, I think it was pretty bold from Henk to choose this movie when most of the members of our Filmclub are near or even above the 75 year old threshold displayed in this movie” read more
Notes: I just loved the damned thing after all and I'm really glad we managed to catch this amazing sequel on the big screen this time. Anyway, it was again visually so neat, there were maybe slightly too many details but the end-result was still quite amazing to behold. It's also the reason why such multiverse features actually works better with animation because, this way, they could tweak each dimension, give its own specific visual identity, which would be much harder to achieve with a live-action feature. It was also neat to see Miles Morales growing up and becoming an anxious and insecure teenager. In general, it was a much more emotional feature, probably the most emotional Spider-Man feature ever made so far. I mean, not only Spider-Man had to live a life of secrets and loneliness but, in this case, he was even called an anomaly which was then tracked down by 100's of other Spider-Men and Women. Eventually, the only minor issue I had was that, nowadays, we get just too many movies dealing with multiverses (Hell, even the last Best Picture Academy Award winner was a multiverse feature), even if, in this case, I have to admit that it is slightly unfair since its predecessor was the first movie to explore this genre. It was also impressive that even though it was really long, even though it was only half of this story, there was never a dull moment and I was completely entertained from the beginning until the end.
Notes: I just loved the damned thing after all and I'm really glad we managed to catch this amazing sequel on the big screen this time. Anyway, it was again visually so neat, there were maybe slightly too many details but the end-result was still quite amazing to behold. It's also the reason why such multiverse features actually works better with animation because, this way, they could tweak each dimension, give its own specific visual identity, which would be much harder to achieve with a live-action feature. It was also neat to see Miles Morales growing up and becoming an anxious and insecure teenager. In general, it was a much more emotional feature, probably the most emotional Spider-Man feature ever made so far. I mean, not only Spider-Man had to live a life of secrets and loneliness but, in this case, he was even called an anomaly which was then tracked down by 100's of other Spider-Men and Women. Eventually, the only minor issue I had was that, nowadays, we get just too many movies dealing with multiverses (Hell, even the last Best Picture Academy Award winner was a multiverse feature), even if, in this case, I have to admit that it is slightly unfair since its predecessor was the first movie to explore this genre. It was also impressive that even though it was really long, even though it was only half of this story, there was never a dull moment and I was completely entertained from the beginning until the end.
“Back then, we didn't even see 'Spider-Man: Into the Spider-Verse' in the movie theater when it was released (as a matter of fact, we went to see 'Aquaman' instead). In fact, I have to admit that it wasn't a priority at all but, like anyone else, I just loved the damned thing after all and I'm reall” read more
chosen by Henk
Notes: I think it was pretty bold from Henk to choose this movie when most of the members of our Filmclub are near or even above the 75 year old threshold displayed in this movie. It's interesting that, even though the concept developed here felt like it came from some science-fiction flick, it was however handled in a really sober way, in fact, it was even hyper-realistic and this approach to handle such a SF concept was maybe not really original but it still worked really well though. Even more intriguing was the fact that, even though this Japanese law was obviously ridiculous and inhuman, the way the elderly were treated in this movie didn't really differ from the way we are already treating then nowadays which was rather sad and confronting. Eventually, the main issue, as far as I was concerned, was the fact that it all felt rather disjointed. Sure, I didn't mind that there was no real plot. However, there was also no main character and, instead, they kept jumping from one character to another (seriously, some characters showed up for maybe only 5 mins and then never came back afterwards). I won't blame the actors involved as they all did a fine job but, as a result, you never get the opportunity to really know any of their respective characters. Eventually, it did create such a distance between them and the viewers and it was then hard to really care about what they were going through. Anyway, even if this interesting concept could have been probably better developed, it was still a decent watch.
(Jun. 2023)
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“Even though this movie apparently didn’t get much love when it was released, since it was directed by Alex Garland, I was still quite eager to check it out. Well, first of all, visually speaking, it was hands down one of the most impressive movies I have seen released in 2022. Garland also deliver” read more
z existentialism
