Reviews by johanlefourbe

I wasn’t really sure what to expect from this flick but, since there was a decent cast involved, I thought I might as well check it out. Well, even thought the material was definitely interesting, to be honest, I really had a hard time to care about the fluffy approach they took. Indeed, as far I was concerned, it seemed a rather odd choice to tell the fight for Women’s rights so lightly just to make sure this movie would be a crowd-pleaser (it did flop anyway because it was released just 10 days before the first Covid lockdown in the UK). Especially since things didn’t really change that much after all for women, the biggest difference nowadays is that we pretend to be equal but it is definitely not the case though. I have to admit that they were some moments when they were actually getting at something, for example, when Sally and her mother each other addressed their respective behaviors. Indeed, going to college and becoming an activist while seemingly neglecting your child might not seem such a great idea after all but doing nothing at all and accepting things as they are was obviously not much better. Unfortunately, instead of going deeper into this interesting problematic, it was however completely deluded by telling this story through as many angles as you could possibly imagine. As a result, the whole thing felt rather disjointed. For example, at some point, you would to get to see these activists disparaging this contest as being degrading to all women and, in the very next scene, they would then try to argue how meaningful it actually was for some of these girls. Anyway, to conclude, I think my rating might have been too generous here but the damned thing was rather harmless and I guess it might still be worth a look but probably only if you really like the genre. 

To be honest, I wasn’t really sure what to expect from this flick but, since it was directed by Julian Schnabel, I thought I might as well check it out. Well, first of all, even though I do have two Velvet Underground CDs, I have to admit that I don’t know much about Lou Reed after all so it was pretty cool to see him in a concert like this one. Apparently, when it was released, the ‘Berlin’ album had been a huge flop but I thought it did sound pretty good (some of these song did become some Reed’s classics). Indeed, there were around 20 people on stage so, even if the venue did seem to be rather small, the whole thing was actually quite ambitious. I was also rather impressed by the complex compositions and the really full sound they delivered. Eventually, even if Lou Reed was never really commercially successful, he was actually a great musician and its influence was huge (I guess a little bit like Iggy Pop and it is no wonder that both men did work with David Bowie at some point). Concerning the movie itself, well, it was a fairly decent concert film but, to be honest, it wasn’t really much more than that and, as result, it is probably the least remarkable movie delivered by Julian Schnabel so far. They even did include some bits and scenes played by Emmanuelle Seigner but I would be rather hard-pressed to tell what it was all about and I failed to see what was exactly the added value. Anyway, to conclude, I have to admit that I still didn’t become a huge fan of Lou Reed’s work but it was still a solid concert movie and it is worth a look, especially if you are into this kind of music. 

I wasn’t really sure what to expect from this flick but, since it was available on Disney+, I thought I might as well check it out. To be honest, I don’t really understand Matthew Vaughn’s obsession with this franchise as it was already the 3^rd movie he made for it. I mean, sure, I will have to admit it, ‘Kingsman: The Secret Service’ was a decent watch (I should rewatch it though since I don’t remember much about it) but, even 10 years ago when it was released, I had some serious doubt regarding its franchise potential. Anyway, coming back to our main feature, this time, they went for a prequel which turned out to be the most underwhelming of the bunch. Sure, there was a really neat cast involved (Ralph Fiennes, Djimon Hounsou, Matthew Goode, Charles Dance, Alexandra Maria Lara, Harris Dickinson, Gemma Arterton, Rhys Ifans, Daniel Brühl, Tom Hollander, Aaron Taylor-Johnson), it was apparently surprisingly accurate from a historical point of view and it was visually pretty neat but, still, most of it was actually pretty boring though. Of course, there was once again the fact that 130 mins was just too long for a spy action flick like this one but, above all, for some reason, they completely dropped the goofy tone which was the most (and possibly the only?) interesting trademark in this franchise. The end-result was therefore watchable but still rather dull and above all completely unremarkable. Since nobody seemed to care for this movie, Vaughn finally dropped this franchise after almost a decade and went on to direct ‘Argylle’, also linked to the spy genre, but it turned out to be an even bigger flop. Anyway, to conclude, even tough I think I might have been too generous with my rating here, I guess it might still be worth a look though but probably only if you really like the genre. 

To be honest, I wasn’t sure what to expect from this flick but since it is included in the ‘They Shoot Pictures, Don’t They?’ list, I thought I might as well check it out. Well, it turned out to be a solid romantic feature and I have to admit that I really enjoyed the damned thing. It’s interesting because it is actually a very basic story and it does almost play like a romantic-comedy but the end-result was so much more subtle after all. There was also the fact the two main characters both came (literally) from the gutter and, as far as I was concerned, they were so much more compelling than the upper-class characters that you usually got with your typical romantic features delivered by Hollywood at the time. I have to admit that it did not recognize or remember Janet Gaynor (I actually saw her before in ‘A Star is Born’ and ‘Sunrise’) but she was really good here and she had such great chemistry with Charles Farrell (they would make 10 more movies together). Eventually, it is basically a really slow burn romance but I was amazed by how well it actually worked. Indeed, there was no gimmick or high concept here, it’s only because he was so kind with her and she was so kind with him that they eventually fell in love with each other. It’s difficult for me to pinpoint wat this movie was missing to become really great, maybe it was slightly too long, but it wasn’t far from it though. I wasn’t so sure about the ending as well. Indeed, it seemed rather cruel to make the viewers (and this poor woman) believe until the very last minute that the guy was dead when it wasn’t the case after all. Anyway, to conclude, it was still a fine romantic drama and it is definitely worth a look, especially if you like the genre. 

Even though this movie eventually didn’t get much love when it was released, since it was available on Disney+, I thought I might as well check it out. Well, I have to admit that I haven’t seen the documentary it was based on but it was probably a good thing as it then allowed me to appreciate this movie more than it actually deserved. Anyway, it is definitely a nice little feelgood story but, to be honest, not really much more than that. You can feel that they, with such a director involved and with Michael Fassbender who was/is probably one of the best actors of his generation, they could have gone for something darker or wilder or stranger but, instead, they delivered something terribly generic and predictable. Seriously, even though Waititi tries to convince you by even narrating the damned thing himself that you are watching something super wacky, he actually used all the clichés you can think of regarding the genre. Indeed, you had a disgraced coach who shouts all the time and hates his team at first but, of course, he ends up loving them very much. Concerning their footballs skills, obviously, they suck at first but, at the end, they suck less and even end up winning a game. Well, how much you will enjoy this movie will depend on how much you will tolerate the fact that Waititi, a seemingly talented and funny director, completely refused to do anything interesting at all with this material. Concerning Fassbender, I’m still willing to give him the benefit of the doubt, this guy is just too good but, damned, I can’t remember the last time he actually really impressed me though. Anyway, to conclude, in spite of its flaws, I still think it was a decent watch though and it is worth a look, especially if you like the genre.

Since this movie has a really solid reputation (it is included in the ‘1001 Movies You Must See Before You Die’ list, among other things), I was quite eager to check it out. I actually first watched the remake starring Nicolas Cage, possibly one of the most despised remakes ever made, but it was years ago and I didn’t remember much about it which was probably a good thing. To be honest, I have to admit that I was rather distracted when I watched this movie but there is no doubt that the damned thing was intriguing. Indeed, even though it is billed as a horror film, it never really feels like an actual horror feature though which was obviously really cool. What was it then? I don’t know, it is rather difficult to describe. I guess it was some kind of surreal nightmare (I do make it sound like a horror feature now, right?) . For example, one of the weirdest things was the fact that this cop would show up alone on this island. That just didn’t make sense but, since everything was so otherworldly in this movie, it still worked though. Furthermore, some scenes were so oddly put together and it might have to do with the fact that this movie has been cut to pieces several times since it was released but, even if it wasn’t intended, it just reinforced the weird vide of the whole thing. I also really loved the idea that this cop was the squarest man you could possibly imagine and to see this guy struggling with all the completely weird stuff going on this island was quite priceless. Anyway, to conclude, it is a really neat cult-classic, it really deserves its reputation and it is definitely worth a look, especially you want to watch something rather strange.

To be honest, I wasn’t expecting much from this flick but, since it was available on Netflix, I thought I might as well check it out. Well, it was already their 3^rd attempt to do something with the GI Joe IP and, well, I’m afraid it might have been their weakest attempt so far. Even though I did watch the GI Joe cartoon when I was a kid, I have to admit that I forgot who Snake Eyes was and I thought he was actually the white Ninja but the the white Ninja was obviously Storm Shadow. Anyway, Snake Eyes has always been one of the coolest GI Joe characters but they definitely messed up his background here. The fact that he wasn’t played by a Caucasian actor was not a big deal. However, the main reason why this character was so cool in the first place was because he was so mysterious with his mask always on and because he was mute. Sure, it was a challenge to build up an action flick around a main character wearing a mask who doesn’t talk but these guys didn’t even try. To make things worse, he wasn't the only character they ruined here. Indeed, Úrsula Corberó (who did look really cool in ‘La casa de papel’) and Samara Weaving both delivered some really lame and pathetic versions of Baroness and Scarlet. Concerning the action scenes, I was convinced that I did see a really spectacular action scene in the trailer but it never happened. Afterwards, I did check 2 trailers but it wasn’t there either so I guess I got confused with some other movie. Anyway, with such cool characters like Snake Eyes and Storm Shadow, you could have hoped for some neat action scenes but, even in this department, this movie was rather disappointing, I’m afraid. Anyway, to conclude, even if it wasn’t a complete waste of time, it wasn’t far from it and I don’t think it is worth a look.