Reviews by johanlefourbe

To be honest, I wasn’t really sure what to expect from this flick but since the trailers looked pretty cool, I thought I might as well check it out. Well, even though it was rather poorly received by the critics and even though it will probably be a flop at the box-office, I thought the damned thing turned out to be actually terribly fun. First of all, it was just so refreshing to see an action flick which had no link with some super-heroes or some other huge franchise. Of course, with David Leitch in the director’s chair, the action scenes, especially the fighting scenes, were pretty badass but I was above all sold by the wacky tone. Furthermore, even though there were many characters involved, I was rather impressed by the fact that almost all of them actually worked pretty well. The only exception was probably Joey King’s character. I don’t blame King herself, she wasn’t bad at all and I understand what they were trying to do with this young girl but this character just didn’t really work or, at least, I didn’t care much about her. By the way, it’s only afterwards that I noticed that Logan Lerman was actually involved in this movie. Eventually, their biggest asset was Brad Pitt though. Indeed, he managed to find a pitch-perfect tone and Pitt really found a tricky balance for this character. Basically, even if the guy tried to avoid violence as much as possible, he was never a complete loser though. Anyway, his interactions with the other characters were most of time just so much fun. All in all, to conclude, even if it was nothing really ground-breaking, it was still a really entertaining flick and I think it is definitely worth a look, especially if you like the genre.

I wasn’t really sure what to expect from this flick but since there was a decent cast involved, I thought I might as well check it out. When I was a kid, I really loved Laurel and Hardy but I have to admit that, for a couple of decades, I hadn’t watch any of their movies. However, about 6 months ago, after all these years, I finally saw once again one of their movies, the classic ‘Sons of the Desert’, and, to be honest, I think their antics were actually much more enjoyable when I was a kid. Still, there is no denying that they were one of the greatest comedy duos ever so it was pretty neat to see a biographical movie focusing on them. However, even if this movie was fairly well received when it was released, to be honest, it didn’t really grab me though. The tricky thing with such biographical movies dealing with a specific time period is that you might wonder if the chosen time period was really so interesting. I mean, the intro was fine and both sides were actually fairly well developed but, then, they completely skipped how these two guys got back together after their falling out. Then, focusing on their tour in Great Britain was not a bad idea but, for too long, not much or not enough was actually going on. Eventually, it was only when they had their argument towards the end that this tale started to get really intriguing. Still, there is no denying that Steve Coogan and John C. Reilly were really good, especially Coogan whose resemblance with Stan Laurel was just uncanny. Anyway, to conclude, even if I wasn’t completely sold, it was still a decent watch and it is definitely worth a look, especially if you are interested in this hilarious comedy duo. 

To be honest, I wasn’t really sure what to expect from this flick but since it was included in the ‘They Shoot Pictures, Don’t They?’ list, I was quite eager to check it out. I have to admit that I had never heard of the Aran islands before but it definitely didn’t seem to be the most welcoming place to live. On the other hand, I already saw a couple of movies directed by Robert J. Flaherty, especially the impressive ‘Nanook of the North’. Eventually, the guy was rightfully considered as the precursor of the modern documentaries, even if there was always something fake in pretty much all his movies. For example, in this case, even though the shark hunting was quite spectacular, it was apparently something they haven’t done for many years, even decades. However, there was one thing that wasn’t fake and it was the sea itself. Indeed, I can’t remember the last time I saw such incredible sea footage showing how the sea can be and, apparently, always is raging at these remote Irish islands. Especially at the beginning, you get to see this family of fishermen going back and forth trying to retrieve some net and this scene was just so weird and yet quite mesmerizing at the same time. It’s too bad the copy I saw on YouTube was pretty weak (on the other hand, I should have maybe lower my expectations since this movie is almost 100 years old). However, even so, the damned thing was still visually quite impressive. To be honest, you don’t get the opportunity to really get to know the people involved in this movie but it was rather impressive how cheerful and seemingly happy they seemed to be. Anyway, to conclude, as usual with Flaherty, I really enjoyed this vintage documentary and it is definitely worth a look, especially if you like the genre. 

To be honest, I wasn’t really sure what to expect from this flick but since it was directed by Laurent Cantet, I thought I might as well check it out. Well, it seems that Cantet tried this time to mix ‘Entre les murs’ with ‘Swimming Pool’ but even though this mix did have some potential, it never really worked though. Indeed, it did lean towards the hyperrealism displayed in ‘Entre les murs’ but, eventually, they didn’t spend enough time with any of the characters, even with Antoine and Olivia, to really get to know them. There was also the issue that I didn’t care much about any of the characters involved. I mean, there was definitely something intriguing about Antoine but, eventually, it turned out to be a bored and boring teenager and not much more than that. Concerning Marina Foïs, I remember her when she was part of ‘Les Robins des Bois’, a really funny comedic group on French TV at the end of the 90’s, and it was rather impressive to see her heading such a drama more than 20 years later. However, even though Foïs was not bad, to be honest, she never managed to make this writer really interesting though but she wasn’t helped by the fact that her character was barely developed whatsoever. Concerning the workshop itself, even if the concept was interesting, I wasn’t really convinced but it was mostly because they focused instead so much on the relationship between Olivia Dejazet and Antoine, a relationship which didn't lead to anything after all. Finally, regarding the comparison with ‘Swimming Pool’, it seemed that the whole thing could become something sleazy which was maybe a really misguided idea or maybe something that could make the whole thing much more spellbinding but, like pretty much everything else in this movie, it was never really explored. Anyway, to conclude, in spite of its flaws, I have to admit that it was still a decent watch though and I think it is worth a look, especially if you like the genre. 

To be honest, I wasn’t really sure what to expect from this flick but since it seemed to have a really solid reputation, I was quite eager to check it out. First of all, I have noticed that, even though I have seen tons of movies dealing with Nazi Germany, I have actually seen very little movies dealing with Fascist Italy. Well, this movie did give a pretty good idea on how intoxicating the Fascist propaganda was on the masses. Sure, it might seem appalling almost 80 years later but, back then, as displayed in this movie, pretty much everyone swallowed it and actually even enjoyed it. Concerning the movie itself, it was one of the favorite movies Sophia Loren and Marcello Mastroianni made and it makes sense since they both delivered some of their best performances here. Eventually, even though it might seem to be a rather simple movie with only 2 characters and only 1 location, it turned out to be rather complex after all. Indeed, they basically gave us two complete opposite views on the political spectrum back then in Italy with, on one side, a Fascist housewife with 6 children and an anti-Fascist homosexual living by himself. What stroke me was how lonely these 2 characters were. Indeed, even though they were quite convinced about their personal political views, it didn’t bring them much happiness after all. It was probably even more surprising that they got along so well and that’s probably where the movie probably slightly lost me. The fact that they pushed it even further than being only unlikely friends probably didn’t help. Indeed, it was actually quite refreshing that there wouldn’t be anything sexual between these two characters, that their connection would be on a complete different level, so it felt rather misguided that they still had to have sex anyway. Eventually, I think I might have to re-watch this movie at some point to make up my mind about it. Anyway, to conclude, it really deserves its strong reputation though and it is definitely worth a look, especially if you like the genre. 

I wasn’t really sure what to expect from this flick but since it was included in the ‘1001 Movies You Must See Before You Die’ list, I was really eager to check it out. It’s only when I started to watch this movie that I discovered that it was actually directed by Josef von Sternberg and I’m pretty sure it was the first movie I saw from the famous director. It is interesting to note that, even though this movie is nowadays highly regarded, it was actually barely noticed when it was released because was it was one of the last films of the silent era and, at the time, everybody was obsessed about the first talkies coming out, even if they were not really that good. Concerning George Bancroft, he was some kind of combination of Jean Gabin with John C. Reilly and I wonder if I have ever saw him before. Anyway, I thought he was pretty good. Concerning the movie itself, it turned out to be an interesting combination of dark and grim realism with an almost fairy-tale like romance. The best example would be the wedding which is often considered as the most famous scene in this movie. Indeed, on one hand, it might seem pretty sordid and it was rather obvious that Bill Roberts wouldn’t keep his vows and, and yet, Mae actually believed in this ceremony while the crowd around them was not exactly sweet and gentle and these strong contrasts were really interesting. It’s too bad they didn’t develop more the characters though but, on the other, the fact that we knew so very little about them automatically made them more mysterious and intriguing. Anyway, to conclude, even if it didn’t really blow me away, it was still a decent watch and it is definitely worth a look, especially if you like the genre.