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“Following the massive box-office success of ‘Bohemian Rhapsody’, it was hardly surprising that they would right away develop another high-profile musical biopic. To be honest, I have to admit that I don’t know much about Elton John’s career so, only therefore, it was already an interesting w” read more
Notes: To be honest, I don’t think it is really a great movie. Indeed, there was nothing visually really impressive about it, none of the characters involved were really interesting (except for Efrem and Old Ned) and the story was pretty much a random mess. And yet, the historical value of this movie is huge since it is considered as the earliest known surviving film directed by an African-American. As a result, it was quite intriguing to see such an old movie finally from a black perspective, focusing on black characters and directed by a black man, On top of that, the 3rd act turned out to be actually quite mind-blowing. Indeed, instead of developing the story going on so far, they took a left-turn and ended up with a rather long flashback scene showing what happened back then when the main character was younger and the end-result was just so shocking. Indeed, you had a double lynching coupled with a grizzly rape scene and some little boy who got shot at but still managed to escape. Anyway, it was just so nightmarish but, in the contrary to most of your typical horror pictures, it was something that was really taking place back then in the South making the whole thing so much more horrible and frightening. Another unforgettable scene that occurred just before was when Efrem, a wretched weasel, also got lynched, not because he was accused of any wrongdoings but simply because this mob was apparently getting ‘impatient’.
Notes: From the few movies I have seen directed by D.W. Griffith, it might be the best one so far. Indeed, I was quite impressed by this lavish production, especially for a movie made more than 100 years ago. However, I have to admit that I was at first slightly worried when they kept hammering the fact that the government following the French Revolution was ‘Bolshevik’. Fortunately, the damned thing still turned out to be fairly accurate, at least, according to what I learned back then in school growing up in France. Seriously, I was actually quite impressed by how the Aristocrats were described as decadent, seriously rotten and even quite repulsive. The contrast with the filthy leaving conditions of the commoners was so huge, it also felt quite accurate and the end-result was such a polarized society which was ready to explode at any moment. All this was actually seriously well done and quite fascinating but, to be honest, I’m not so sure if I really cared about the gloomy tale of these 2 orphan sisters. It was also rather intriguing that these 2 sisters who were not actual sisters were played by 2 women who were actually sisters in real life (Lillian Gish and Dorothy Gish). Anyway, it was basically another typical dark and gloomy drama, a genre really loved by Griffith. Still, even if it was all quite theatrical and melodramatic, it was so well put together and it was seriously entertainaing, even after 150 mins. 
Notes: During the last months, I have been focusing on movies from the 20’s but, to be honest, many of them were really obscure and, above all, not really good at all. Well, this movie was the very last one in this cycle and, fortunately, it turned out to be really amazing. I have to admit that the first 20 mins were actually rather disjointed and I did struggle to get a good grip on the damned thing at first. However, this seemingly convoluted structure might have enhanced the weird nature of this rather fascinating picture. Anyway, it will be a good excuse to revisit it in a few years. It might be also one of the most virulent anti-alcohol films I have seen but this movie went so much deeper than that though. Indeed, by now I have seen my share of tragic melodramas that they used to make back in those days but there was something really different about this one. Sure, the tone was pretty dark which was pretty neat but it went beyond that. There was something really poetic about this movie as well and the ending was pretty much pitch-perfect. It was visually also striking and, in this area, it was much more satisfying that most of the other movies I have seen from this time period. Concerning the acting, Victor Sjöström, who also directed the damned thing, really stood out playing David Holm, a rather wretched man but the arc of his story in this movie was just so spellbinding to behold. 
“To be honest, I wasn't exactly a huge fan of 'Frozen' but my youngest daughter was quite eager to check it out so we went to see it, and for the first time, in 4DX. Concerning the 4DX stuff, I have to admit that I was actually quite impressed. Indeed, my seat was constantly moving through all the nu” read more
“To be honest, I wasn't really sure what to expect from this flick but since I have a weak spot for Alicia Vikander and since it was available on Netflix, I thought I might as well check it out. Well, even if the damned thing really had some potential, it turned out to be rather half-baked, I'm afr” read more
“To be honest, I wasn't really sure what to expect from this flick but since it was available on Disney+, I thought I might as well check it out. Well, it is definitely one of Disney more obscure animated features, one of these Package films they released during WWII, before going back to some more p” read more
